By Natalia Jimenez on PhotoBlog

  • Peek inside Jodi Arias' jail cell

    Ross D. Franklin / AP

    The cell of convicted killer Jodi Arias at the Maricopa County Sheriff's Office Estrella Jail, on May 16, 2013, in Phoenix. Arias was convicted of first-degree murder in the gruesome killing of her one-time boyfriend, Travis Alexander, in their suburban Phoenix home.

    Ross D. Franklin / AP

    Sheriff Joe Arpaio explains a typical meal served to convicted killer Jodi Arias and all the other inmates at the Maricopa County Sheriffs Office Estrella Jail, during a news conference, on May 16, 2013, in Phoenix.

    Jodi Arias has spent the past four years in cell B403 of the Estrella Jail in Phoenix. The room is located in the maximum security section of the jail, offering only the basic necessities – including a toilet - for 23 hours a day. She has been able to maintain an active presence on Twitter because when she speaks to friends on the phone, she will ask them to tweet on her behalf.

    Sheriff Joe Arpaio showed her cell and its belongings to reporters, and said “I’m not going to ask her for her permission, I run this hotel. She doesn’t."

    Arias receives one “sack lunch” and one “hot meal” each day, totaling 2600 calories.

    See more in the video below.

    Rob Schumacher /Arizona Republic via AP

    Jodi Arias looks at the family of Travis Alexander as the jury arrives on May 15, 2013, during the sentencing phase of her trial at Maricopa County Superior Court in Phoenix.

    A glimpse inside the Estrella Jail in Phoenix, Ariz., where convicted murderer Jodi Arias has lived for the past four years. Arias spends 23 hours a day in her jail cell, which is located in a maximum security area of the facility. NBC's Diana Alvear reports.

     

  • Ever-present danger looms for Bangladeshi workers

    Abir Abdullah / EPA

    Bangladeshi firemen battle a blaze that broke out at the Kung Keng Textile resort the outskirts of Dhaka on Aug. 26, 2005. The fire was caused by a short-circuit.

    Abir Abdullah / EPA

    Burned sewing machines sit on the first floor of the Garib & Garib sweater factory after a fire in Gazipur, Bangladesh, on Feb. 26, 2010. Twenty-one garment workers were killed and about 50 injured in the fire. The factory produced sweaters for H&M, among other companies.

    Abir Abdullah / EPA

    Women cover their noses to avoid the smell of burned bodies as they gather near where bodies are being kept for identification following a devastating fire at the Tazreen Fashions Ltd. garment factory in Savar, outside Dhaka, Bangladesh, on Nov. 25, 2012. The fire killed 112 people, and a government inquiry accused the factory owner of "unpardonable negligence."

    In April 2005, at least 64 workers were killed when the Spectrum Garments building collapsed in Bangladesh.

    It was the first time photographer Abir Abdullah had covered a building collapse, and the horrific scenes he witnessed over the next week would stay with him. He was left disturbed and unable to eat for several days “because of the smell and seeing the trapped, disfigured faces and bodies of the workers,” Abdullah told NBC News. The scenes moved him to continue to document Bangladesh’s garment industry.

    As he would find out, there would be many more agonizing disasters over the next several years.

    Abir Abdullah / EPA

    Bangladeshi firefighters and rescue workers at the scene of a six-story building collapse on Feb. 25, 2006. The building housed a garment factory, shops and offices in Dhaka's Tejgaon industrial area. At least 18 people were killed and more than 50 seriously injured.

    Abir Abdullah / EPA

    An injured Bangladeshi worker is carried on a stretcher during a fire at the Ha-Meem Group factory that makes clothes for the Gap, in Savar, Bangladesh, on Dec. 14, 2010. At least 27 people died when a fire broke out on the 9th and 10th floors of the building.

    Abir Abdullah / EPA

    Relatives mourn beside bodies in front of a hospital gate following a fire at SMART factory in Dhaka, Bangladesh, on Jan. 26, 2013. At least seven garment workers died and many more were injured in a stampede after a fire broke out in the factory.

    Abdullah’s photographs of Bangladesh’s garment industry become especially poignant as the death toll in the recent collapse of the eight-story Rana Plaza now tops 1000, making it the deadliest disaster in the history of the industry. Efforts to keep the cost of production down have contributed to a dangerous work environment, where factory fires and building collapses are commonplace. “Corrupt officials who ignore building codes and greedy businessmen who bypass fire protection” exacerbate the problem, according to Abdullah.

    Bangladesh’s garment industry now brings in about $20 billion a year and accounts for 80 percent of the country’s exports. There is tremendous pressure on the Bangladeshi manufacturers to keep labor and production costs low in order to attract global retailers.

    Abir Abdullah / EPA

    Burned garments are seen after the fire at the SMART garment factory in Dhaka, Bangladesh, on Jan. 26, 2013.

    Abir Abdullah / EPA

    Civilans try to put out a fire at the Sir Denim Ltd. building in Dhaka, Bangladesh, on Nov. 26, 2012. There were no casualties, the fire service reported.

    Abir Abdullah / EPA

    Rescue workers carry bodies following a devastating fire in the Tazreen Fashions Limited garment factory at Nischintapur, Savar, outside Dhaka, Bangladesh, on Nov. 25, 2012. The factory produced clothing for two Wal-Mart suppliers, as well as one for Sears.

    Workers play a pivotal role in the equation, allowing Bangladesh to maintain cheap labor costs. The garment industry employs more than 3 million people. Labor protests demanding safer working conditions and higher salaries sometimes result in a factory temporarily closing, but there are few long-term changes. With few other job opportunities, Bangladeshis return to work at the factories in order to provide a living for their families.

    “Though it is exhausting and traumatic to cover building disasters, I think the exploitation of the garment workers need to be documented,” writes Abdullah. He hopes that by drawing attention to the injustices in the system, western buyers and consumers will understand the true cost of their clothing and be moved to effect change. In February, he received an Alexia Foundation grant to continue photographing the deadly cost of cheap clothing. Abdullah says he believes in the power of photography as a “weapon to express your statements against injustice” and dedicates his work to changing the industry.

    Abir Abdullah / EPA

    The damaged interiors of a garment factory after a clash between the protesting workers and police at Ashulia, Savar, Bangladesh, on June 22, 2010.

    Abir Abdullah / EPA

    Angry workers and locals protest the deaths of garment workers and demand punishment of the building owner Sohel Rana, in Savar, Dhaka, Bangladesh, on April 30, 2013, after the collapse of Rana Plaza.

    Abir Abdullah / EPA

    The scene on April 25, 2013, the day after eight-story Rana Plaza building collapsed in Savar, outside Dhaka, Bangladesh, killing more than 900 people.

    This story was originally published on

  • Life disrupted: Eerie scenes after Boston Marathon bombings

    Spencer Platt / Getty Images

    The unfinished meals of fleeing customers are left on tables at an outdoor restaurant near the scene of a twin bombing at the Boston Marathon on April 16, 2013 in Boston, Mass. The twin bombings, which occurred near the marathon finish line, resulted in the deaths of three people while hospitalizing at least 128. The bombings at the 116-year-old Boston race, resulted in heightened security across the nation with cancellations of many professional sporting events as authorities search for a motive to the violence.

    Justin Lane / EPA

    Bags of people's belongings gathered not far from the finish line of the Boston Marathon as an investigation continues into dual bombings at the site, in Boston April 16.

    While there have been many moving photos of the bombings at the Boston Marathon, these quiet, empty moments are powerful in their own way. The plates full of uneaten food at an abandoned restaurant suggest the chaos immediately following the explosions, causing people to flee leaving unfinished drinks and unpaid bills. Yellow bags full of runners’ personal belongings, intended to be picked up after crossing the finish line, instead evoke unrealized dreams of completing a marathon. The silver thermal blankets that so often are worn proudly following a race, yesterday served a much different purpose and blanketed injured runners.

    Related:

    Spencer Platt / Getty Images

    Unused thermal blankets for marathon participants are piled near the scene of a twin bombing at the Boston Marathon on April 16, in Boston.

    Jessica Rinaldi / Reuters

    Blood in seen on the sidewalk in front of a candy store advertising a Marathon Monday sale a day after two explosions at the Boston Marathon in Boston, on April 16.

    Brian Snyder / Reuters

    Two police officers walk down Boylston Street, away from the finish line of the Boston Marathon in Boston on April 16.

    Shannon Stapleton / Reuters

    Heightened security, empty streets, and memorials mark the the day after the Boston Marathon bombings.

  • From grain to pixel: Explore photography’s rare and early images on Google

    Edward S. Curtis / George Eastman House via Google

    On The Shores of Clear Lake ca. 1896, printed 1924

    Dorothea Lange / George Eastman House via Google

    Damaged Child, Shacktown, Elm Grove, Oklahoma, 1936

    The world’s oldest collection of photography is now just a click away.

    Google's Art Project has partnered with the George Eastman House to display a selection of their remarkable images from the invention of photography through the 19th century. The gallery allows viewers to virtually visit a museum they may not otherwise have access to, but what truly sets apart the experience from any other online museum gallery is the ability to zoom in and see details of iconic photos. In a “real” museum you would be tackled by the security guard before you could get close enough to see the grain of the film.

    Additional information is provided alongside the photos, including a map of where it was taken as well as the location of the artist’s birth and death. In one click you are able to see if the photographer’s journey kept him in his home town, or took him around the world.

    George Eastman was the founder of the Eastman Kodak Company in Rochester, New York. His photographic collection and home were opened to the public in 1949.

    Walker Evans / George Eastman House via Google

    Roadside Stand, vicinity Birmingham, Alabama. 1936, printed ca. 1971 by Jim Dow.