Danish Siddiqui / Reuters

A cinema goer uses his mobile phone to take a photograph of a film poster at Cinema Pamir in Kabul on May 4. Once a treasured luxury for the elite, Afghan cinemas are dilapidated and reflect an industry on the brink of collapse from conflict and financial neglect. Kabul's cinemas show Pakistani films in Pashto, American action films and Bollywood to rowdy, largely unemployed crowds in pursuit of any distraction from their drab surroundings.

Danish Siddiqui / Reuters

Cinema goers watch a Pashto film at Pamir Cinema in Kabul on May 4.

Danish Siddiqui, a Reuters photographer, looks to local movie theaters to learn more about a city's personality and culture. Last year, he documented a popular "travelling cinema" making a stop in Ond, India. On the Reuters Photographers Blog, he writes about his recent time inside Kabul's theaters:

Danish Siddiqui / Reuters

A projectionist rewinds a roll of film inside the projection room at Cinema Pamir in Kabul on May 3.

I believe that sometimes you learn about a city and its society from its local cinemas and the genre of films they choose to screen.

There are only half a dozen cinemas in the whole of Kabul. Most of the theaters like Cinema Park and Ariana Cinema were destroyed during the civil war and were later shut down by the Taliban who had banned, among other things, going to the movies. Now every theater has three films shown every day with the first one starting at 10a.m.

For me, it was a treat to be inside the cinemas and watch the inhabitants of the otherwise disturbed city sneak away a few moments of fun. At such times, they seem to forget the outside world and the tensions therein. For them, it’s a different Afghanistan inside the theater.

Read Siddiqui's entire blog post.

Danish Siddiqui / Reuters

Employees of Ariana Cinema stand on film cans as they work inside a storage room in Kabul on May 3.

Danish Siddiqui / Reuters

The audience at a Bollywood film screening at Ariana Cinema in Kabul on May 3.

Reuters reports -- Clouds of hashish and cigarette smoke float across a screen showing a dancing Pakistani woman, who evokes yowls of excitement from the hundreds of Afghan men passing their time in one of the capital's rundown cinemas.

Once a treasured luxury for the elite, Afghan film connoisseurs are deeply distressed by the dilapidated state of their cinemas, which reflect an industry on the brink of collapse from conflict and financial neglect.

Danish Siddiqui / Reuters

A cinema goer watches a Pashto film at Cinema Pamir in Kabul on May 3.

"Before our audiences were educated. Now they are illiterates who understand nothing of cinema and come only to smoke (marijuana)," said Sayed Khalid Sadat, manager of Pameer cinema, which sits on a corner in the bustling centre of Kabul.

Kabul's cinemas show Pakistani films in Pashto, American action films and Bollywood to rowdy, largely unemployed crowds in pursuit of any distraction from their drab surroundings.

It's a far cry from the heyday of Afghan-produced film 40 years ago, when cinemagoers were required to wear suits or evening wear.

Continue reading.

See more photos of Afghanistan in our slideshow: A Nation at crossroads.

Danish Siddiqui / Reuters

Ahmad Wali, a 15-year-old projectionist, works inside the projection room at Pamir Cinema in Kabul on May 2.

Danish Siddiqui / Reuters

Cinema goers rush into the theater before a show at Pamir Cinema in Kabul on May 4.

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Danish Siddiqui / Reuters

Two attendants sit at the entrance to traveling talkie cinema tents in the village of Ond, south of Mumbai, India on Feb. 9.

Reuters photographer Danish Siddiqui reports on India's traveling cinema industry:

OND, India, Feb 16 - The sleepy village of Ond comes alive for a week every year when trucks loaded with tents and projectors reach its outskirts.

The tents are pitched in open fields, converting the trucks into projection rooms for screening the latest Indian blockbusters to exuberant villagers, who otherwise have few chances to see a film at all.

But now, this decades-old tradition known as the "talkie" is under threat in the face of cable television and a flood of pirated CDs and DVDs.

Danish Siddiqui / Reuters

A truck used as a makeshift projection room is pictured in the village of Ond.

"People used to like touring cinemas a lot, but after these new modes of entertainment only about 10 percent of the people come here to watch films," said Anup Chadha, the owner of Anup Talkies, one such company.

Anup, 31, inherited the firm from his father, who started in the era of black and white and ran the company for 40 years.

In Ond, some 350 km (218 miles) south of Mumbai, India's cinema capital and home to its Bollywood film industry, three different companies of touring talkies show films of different genres, in a bid to attract as much of an audience as they can.

Each company runs five shows of three hours each, with the last film show ending at three in the morning. Tickets cost less than half a dollar, about 15 to 20 Indian rupees.

Danish Siddiqui / Reuters

A man adjusts a film reel in a makeshift travelling talkie projection room set up on the back of a truck in the village of Ond.

The shows are packed with people of all ages, who stare raptly at the films as they are shown. Children jump and clap along with the scenes, although some lie down in their parents' laps as the hour grows late, eyes still fixed on the film.

For women, who often have few chances to leave the four walls of their homes, it is an eagerly awaited outing. Dressed in bright saris, they queue at ticket counters for what is one of their only forms of entertainment.

Despite this, though, the threat to the "tambu" - tent talkies -- looms larger every year.

"There were around 50 such tambu talkies in Satara district 10 years ago, but today only seven or eight are left," said Jaywant Thorat, 45, the owner of Ayodhya Talkies.

"We are running these theatres just because of our passion for it. If we shut down our tambu cinemas, regional cinema will find no audience since they don't show these films at multiplexes in the city," he added, referring to the fact that local language films are also shown.

Danish Siddiqui / Reuters

Villagers sit inside a travelling talkie tent to watch a movie in the village of Ond.

Not all the owners are giving up without a fight.

Some have devised new marketing strategies, such as distributing packets of shampoo and pocket-sized pictures of film actresses with the tickets, but the money from this is small.

Anup Chadha forecasts that touring talkies will be extinct within five years if the government doesn't step in.

"Sometimes I want to shut down this business but there are so many people associated with this talkie that I hang on for them," he said.

If that happens, the only cinema available to people in the villages may come from local devotees such as Suresh, a farmer who is also the owner of Akshay Talkies and has converted a vintage truck to a projector room, using a tractor to pull it.

"We can't afford to go to watch a film in a theatre, especially with the nearest town being 70 km (43.50 miles) away from here," said Vikas Shinde, a farmer who waited eagerly at the counter to grab his ticket.

"These talkies are just 100 metres away from my house."

Danish Siddiqui / Reuters

A man walks near posters advertising movies playing inside travelling talkie tents in the village of Ond.