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  • 19
    Jan
    2012
    4:07pm, EST

    Top photographer recalls Kodak's fading moment

    George Eastman House via Reuters

    George Eastman, left, founder of the Eastman Kodak Company, is shown with fellow inventor Thomas Edison. The 130-year-old photographic film pioneer, which had tried to restructure to become a seller of consumer products like cameras, has filed for bankruptcy.

    By Jonathan Woods, multimedia editor, msnbc.com
    Follow @jonwoods

    The news that Kodak filed for bankruptcy protection Thursday saddened many, including (and maybe especially) the photographers who relied on the company's products for more than a century to record images both mundane and historic.

    Almost anyone who shot a photo prior to the advent of digital photography has used Kodak film.

    Gary Cameron / Reuters

    Eastman Kodak black and white film, negatives, film development reels and black and white photographic prints.

    Professional photographers relied on the brand from the early 1900s until the 1980s, when the company that invented the hand-held camera and rollup film began to lose market share to foreign producers. Cameras, lenses, film, photographic paper and other artifacts -- cherished by photographers and collectors -- remain as reminders of the company's contribution to the art of taking pictures.

    Mick Cochran

    An old Kodak film canister, photographed on Jan. 19.

    Mick Cochran, former director of photography for USA Today, spoke with msnbc.com about stumbling across his own Kodak keepsakes.

    Rummaging through a canvas bag inside his Rhode Island home, Cochran found an old film canister from the 1950s.

    “Oh wow," he said admiring the well-worn item. "Look at that, you see the texture? The Kodak just pops. It’s the coolest thing.”

    Photographers admittedly get a bit wistful when looking back at shooting and processing film, even though they enjoy the ease of digital photography, which Kodak invented but ironically never exploited.

    "Anytime you could find someone to process your film, you would do it. Nobody wanted to be in the darkroom with all those chemicals. It was a rite of passage, it was messy," Cochran said.

    "It was such an arduous thing we did. Digital came around and it was so much better and faster," he said.

    Gary Cameron / Reuters

    A collection of Eastman Kodak products.

    Gary Cameron / Reuters

    An Eastman Kodak Carousel slide projector, with 35mm color slide and film cannisters.

    Cochran said that even though many people criticize Kodak for failing to keep up with the explosion in digital photography, he recalled that the Rochester, N.Y.-based company sent a team to Florida to interview photographers for what was the first digital photography workshop.

    “It was fascinating,” he said, adding it was clear Kodak was trying to figure out what it was going to do with the new technology and how it was going to grow the business. 

    "That big yellow K has always been a good thing, a quality product. You can’t deny their support of the photo business," Cochran said.

    Follow @msnbc_pictures

    21 comments

    Sorry Toad but Kodak is a late bloomer when it comes to ripping off the consumer with ink cartridge purchases.

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    Explore related topics: film, kodak, photography, us-news, photojournalism
  • 18
    Jan
    2012
    12:12pm, EST

    Unscripted moments on the campaign trail

    David Goldman / AP

    Republican presidential candidate Rep. Ron Paul, R-Texas, reaches out from his car window to grab a book to autograph for a supporter as he leaves a campaign stop on Tuesday, Jan. 17, in Rock Hill, S.C.

    Jason Reed / Reuters

    U.S. Republican presidential candidate and former Speaker of the House Newt Gingrich has his earlobes rubbed backstage by his wife Callista before speaking at the Art Trails Gallery in Florence, South Carolina, Jan. 17. The South Carolina Primary will be held on January 21.

    Charles Dharapak / AP

    Republican presidential candidate, former Pennsylvania Sen. Rick Santorum, speaks on his phone after getting into an elevator before he addresses Business Speaks, a business and economic forum hosted by the South Carolina Chamber of Commerce, in Columbia, S.C., on Tuesday, Jan. 17, 2012.

    Eric Thayer / Reuters

    Republican presidential candidate and Texas governor Rick Perry greets a man at the BIPEC GOP Primary Candidates Forum in Columbia, South Carolina Jan. 17.

    Joe Raedle / Getty Images

    Republican presidential candidate and former Massachusetts Gov. Mitt Romney greets people during a campaign rally on Jan.17 in Florence, South Carolina.

    By John Makely, NBC News

     Most political campaigns are very protective of the images that the public sees. Carefully staged events with large flags draped as a backdrop, full venues packed with supporters and a smiling, upbeat candidate are the image they want to project.

    Photographs are a powerful way to reinforce or question voters’ pre-conceived notions about the candidates. Most campaign managers understand this very well and limit photojournalists’ access to their candidate to better control the public’s impressions. Most photojournalists I know, as a rule, despise the staged events and prefer to find a real moment that may reflect their subject’s personality or lend insight to an issue. These images taken on Tuesday are some of the best examples of photojournalists working hard to bring us a view beyond the scripted events.

    Follow @msnbc_pictures

    1 comment

    Newt Gingrich has his earlobes rubbed I think I threw up a bit there with that imagery.

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    Explore related topics: politics, candidates, photojournalism, republican-primary, decision-2012
  • 11
    Jan
    2012
    6:05pm, EST

    Reuters photographer Umit Bektas reflects on the essence of war

    Umit Bektas / Reuters

    U.S. Army soldiers of the 125 BSB Medical Company surgical team of Task Force Mustang and Afghan National Army soldiers carry a U.S. Army soldier, injured by gun shots, on a stretcher in Forward Operating Base (FOB) Shank in Logar province, eastern Afghanistan Dec. 1, 2011.

    By Umit Bektas, Reuters

    As the medical staff rushed to prepare the seriously wounded soldier for immediate surgery, I stood in one corner of the emergency room wondering how publishable the pictures I would take of this bloody and violent scene would be and what would be the benefit of it, if they were indeed published.

    No photo of the soldier who lay there covered in blood and unconscious would ever be sufficient to express his agonizing pain. There was no way I could ever sum up the earlier life of this soldier, the life which would never be the same again. I could never explain why this happened to him. I could never relay in a single frame what really happened to him and what purpose his injuries would serve. For some time I watched the medical staff working frantically around the soldier, making superhuman efforts to keep him alive. Their efforts would probably save a life. What would mine accomplish? What would I have achieved if in the middle of this bloody scene I succeeded in taking a photo appropriate to be printed in newspapers and people thousands of miles away would bring into their homes to look at. What photo or photos would ever help the soldier to regain his limbs which would likely be severed very soon. I happened to catch a glimpse of the soldier’s boots lying on the floor. As the soldier was wheeled into surgery after emergency first aid, and the commotion in the room died down, I approached the bloodied boots and snapped them.

    Umit Bektas / Reuters

    An Afghan National Army soldier's boots covered in blood lies on the floor at 125 BSB Forward Surgical Team Task Force Mustang's clinic in Forward Operating Base (FOB) Shank in Logar province, eastern Afghanistan Nov. 12, 2011.

    It is now more than a month since I returned from my assignment as an embedded photographer with the U.S. troops in Afghanistan. Now, as I write this blog I am looking at that picture. I want to talk about what a pair of blood-soaked boots means to me; as a human being and as a photographer.

    For a month I reported with photos from a number of different assignments the American troops were engaged in. But I admit the days I spent with the 628th Forward Surgical Team were the most trying. It is not only the issue of seeking a meaning and an outcome in what I witnessed that still occupies my mind – it is a problem of the essence of the whole thing.

    Umit Bektas / Reuters

    Medical staff of 125 BSB Forward Surgical Team Task Force Mustang treat a wounded Afghan National Police Force member who was injured by gun shots in Forward Operating Base (FOB) Shank in Logar province, eastern Afghanistan Nov. 12, 2011.

     

    Let me explain what I mean by essence. The premises where three patients can simultaneously receive emergency treatment is in fact a tent. Unavoidably, it is cramped and the space left after three gurneys are placed side by side, is barely enough for the medical teams to squeeze in. If you are a photographer allowed to take pictures, obviously you cannot move an inch. Not because anyone has prohibited you, but to avoid hampering the medical staff, you take care not to change your position unless you absolutely need to. From where you stand you can clearly see what is happening but most of what you see cannot be photographed, cannot be transmitted if photographed and cannot be published if transmitted. It is bodies bloodied and mangled.

    Umit Bektas / Reuters

    A medical staff of 125 BSB Forward Surgical Team Task Force Mustang is flanked by a Jordanian army medical staff as she treats a wounded Afghan civilian who was injured by an IED (improvised explosive device) in Forward Operating Base (FOB) Shank in Logar province, eastern Afghanistan Nov. 13, 2011.

    As a result it becomes extremely difficult to convey the drama unfolding right before your eyes. The photo you should take must be vital enough to relay the gravity of the situation and it must also be bearable. While striving to achieve this balance I discovered two things: Hands and faces. I thought I would take photos of the hands of the wounded.

    Umit Bektas / Reuters

    U.S. Army Specialist Katie Dirkints of the C Company 3/82 Dustoff MEDEVAC checks an Afghan National Army soldier injured by an IED (improvised explosive device) in a MEDEVAC helicopter in Logar province, eastern Afghanistan November 20, 2011.

    Hands clenched in pain, a hand seeking another hand to hold on to, hands covered in blood pressing down on open wounds and hands too heavy for the exhausted bodies to hold up. And I took photos of the faces of the staff striving to keep those soldiers alive and their expressions. I focused on their expressions shaped by the drama which you will never see but which they lived and experienced.

    Umit Bektas / Reuters

    U.S. Army Colonel Lewis Somberg MD. (front R), Chief of Surgical Services of 628 Forward Surgical Team, and Chaplain Captain Edward Wright (rear R) pause as an U.S. soldier, heavily injured by an IED (improvised explosive device), waits to be transferred to a higher level military hospital at Forward Operating Base (FOB) Shank in Logar province, eastern Afghanistan Nov. 19, 2011.

    Let me now talk about the meaning. Like everyone, I have my personal outlook on life and my own political stance. I am confident that I always set aside my political beliefs when I am taking pictures. Impartiality and observance of ethical values are my main concerns. But the right to live, to enjoy this fundamental right and to enjoy a life of peace is the privilege of every human being. It is unacceptable that any person should lose his body, his most valuable asset, and his right to life especially by dangers that can be avoided. No American soldier in Iraq or in Afghanistan, no African dictator, no child, no old woman should be deprived of the right to live or be threatened with its loss by someone else’s weapons, bombs, or someone else’s power. If a person is to be punished for what he or she has done, the punishment should not be death. Will the photographs I took in that tent in Afghanistan communicate this message? Well, it depends on how you look at the pictures.

    Personally, I believe my photography does carry this message. If you read them correctly, you will be able to say this: “My hands should never be bloodied as in those photos, no one’s boots should become so blood-soaked, no one should lie surrounded by medical teams trying to give him back a life almost swept away by weapons with unknown purpose, no one should suffer this pain.” To me, news photography is the unadulterated and stark reflection of reality. But what you make of that reality is yours to decide.

    For a week, every injured soldier carried into that cramped tent helped me realize again the value and the significance of life. There, I came to know doctors whose responsibility to the patients ended after their situation stabilized and they were transferred out, but who still continued to monitor their healing process even after the patients were flown home to the U.S.

    I thought: We should all feel the same concern as those doctors. I dreamed that there were people who saw one of my pictures in the newspaper or on the Internet and wondered what became of that injured soldier, wondered what he or she can do individually to prevent such incidents. People ready to make an effort to prevent all this – good people!

    And I hoped that they would not only look at my photos but try to read a meaning into them.

    Umit Bektas / Reuters

    U.S. Army Major Steven Potter M.D. (L) and Captain Kimberley Kubricht CRNA. of the 628 Forward Surgical Team do yoga during a break in a intensive care unit in Forward Operating Base (FOB) Shank in Logar province, eastern Afghanistan Dec. 1, 2011.

    3 comments

    I seen photos of civil war casualties,ww1,ww2,Korean,Vietnam.The blood is red in all of them.Noting has been learned.Deadlier weapon inventied.

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  • 31
    Dec
    2011
    12:48am, EST

    Giant North Korea soldier spotted in Kim Jong Il funeral photos

    KCNA / AFP - Getty Images

    This handout picture taken by North Korea's official Korean Central News Agency (KCNA) on Dec. 28, 2011 shows the funeral procession for North Korea's late leader Kim Jong-Il arriving at the square of the Kumsusan Memorial Palace in Pyongyang. This picture has created interest, due to the presence of an unusually tall attendee, seen below, lower right, next to the flag pole.

    The Telegraph reports:

    The "giant soldier" photograph looks less likely to have been manipulated given he can be seen in different images from several angles.

    The photo's emergence has led to widespread speculation as to who the soldier might be with, some online commentators suggesting the mystery figure is the 7’ 8” tall North Korean basketball star Ri Myung Hun.

    Read the full story here ...

     

    Related:

    Despair over Kim Jong Il: Real grief or forced?

    Slideshow: Funeral and reaction to the death of Kim Jong Il

    AP

    News of the North Korean leader's death sparks tears from his followers and concerns around the world as power is handed over to his successor.

    Launch slideshow

     

     

     

     

     

     

     

     

     

     

     

     

    Follow @msnbc_pictures

    8 comments

    These commies have been drafting yeti into their military for a long time. They just give them a rough shave every day and they almost blend in.

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  • 28
    Dec
    2011
    8:41pm, EST

    From Kim Jong Il funeral, a military formation is made more perfect with Photoshop

    nytimes.com

    An eagle-eyed editor at the Associated Press noticed a discrepancy between a version of an official funeral photo from the Korean Central News Agency and a similar photo from Kyodo News distributed by the Associated Press.

    The Lens blog at the New York Times has the full story.

    Related:

    Despair over Kim Jong Il: Real grief or forced?

    Slideshow: Funeral and reaction to the death of Kim Jong Il

    KCNA / EPA

    News of the North Korean leader's death sparks tears from his followers and concerns around the world as power is handed over to his successor.

    Launch slideshow

     

     

     

     

     

     

     

     

     

     

    Follow @msnbc_pictures

    Comment

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  • 20
    Dec
    2011
    12:26pm, EST

    Coverage of political unrest proves deadly for journalists in 2011

    Nadeem Khawer / EPA

    Pakistani journalists shout slogans during a protest against the killng of their colleague Syed Saleem Shahzad, in Hyderabad, Pakistan, onJune 1, 2011. The Pakistani journalist working for the Italian news agency Adnkronos International has been found dead, media reported on May 31. Syed Saleem Shahzad went missing on May 29 after leaving his house in an upmarket area of the capital Islamabad, to take part in a television talk show.

    By John Makely, NBC News

    The Committee to Protect Journalists have released their report for 2011 which chronicles the attacks on journalists worldwide. They report that at least 43 journalists were killed including seven dead in Pakistan making it the deadliest country to work in as a journalist.

    From the CPJ report:

    Photojournalists suffered particularly heavy losses in 2011. Photographers and camera operators constituted about 40 percent of the overall death toll, about double the proportion CPJ has documented since it began keeping detailed fatality records in 1992. Among those killed was Lucas Mebrouk Dolega, a photographer for European Pressphoto Agency who was struck by a tear gas canister fired by security forces trying to quell a massive January protest that led to the ouster of President Zine El Abidine Ben Ali.

    Corentin Fohlen / EPA

    A 2008 photo shows EPA photographer Lucas Dolega on assignment in North Kivu, near the provincial capital of Goma, in the Democratic Republic of Congo. The Franco-German photographer was covering the Tunisian uprising for the european pressphoto agency epa when he was seriously injured on Jan. 14 after police fired tear gas at thousands of demonstrators in Tunis. Lucas Mebrouk Dolega, 32, was declared clinically dead by staff of the Rabta hospital in Tunis early morning Jan. 16, 2011

    The full list of those killed along with their profiles can be found here in the full Committee to Protect Journalists 2011 report.

     Related links: 

    • Chris Hondros and Tim Hetherington are killed and two others injured in rocket attack in Misrata
    • This New Yorker story on Syed Saleem Shahzad who Pakistani intelligence officials warned to curb his reporting, which revealed links between the military and Al Qaeda. He was found dead on May 30.
    • Journalists honored for risking lives to tell the story
    • View the full 2011 Committee to Protect Journalists report here

    Follow @msnbc_pictures

    3 comments

    F*ck da police!

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  • 8
    Dec
    2011
    3:01pm, EST

    Shop photojournalism for the holidays

    By Meredith Birkett

    There’s Black Friday. And Cyber Monday. What about “Photojournalism Thursday”?

    OK, I'm kind of kidding, but a recent Facebook post reminded me to remind you Photobloggers that buying a print, or joining a Kickstarter campaign, or even hitting up your local newspaper for a print could be a great gift for someone on your list this holiday season.

    Rick Loomis / Los Angeles Times

    White terns, albatross and several other species of birds make Midway Atoll their home as it makes a perfect nesting location with its remote Pacific Ocean location. However, danger lurks beyond the beauty with plastic trash inadvertently being consumed by nesting birds and ghost netting ensnaring endangered marine mammals. This image is part of the Los Angeles Times' 5-part series, Altered Oceans, which won the 2007 Pulitzer Prize for Explanatory Reporting.

    One of the most frequent emails we get from our readers, especially after we publish The Week in Pictures or Animal Tracks is “Can I buy a copy of that image?” You can. Below, find a rundown of some ways to bring photography home.

    Barbara Davidson / The Los Angeles Times

    Hawa Barre Osman looks for a sign of life from her one-year-old severely malnourished child, Abdi Noor Ibrahim, inside the Medecins Sans Frontieres (MSF) therapeutic feeding center at the Dadaab refugee camp in Kenya, Africa, July 2011. She walked for one month, with her 5 children, from Somali, to the camp.

    Lights, camera, action…print:
    By buying a print, you can help fund a documentary film. Chad Stevens, who is a photojournalist and University of North Carolina assistant professor, has been working for six years on a film about a grandmother who is caught between her region’s economic backbone of coal mining, and her environmental concerns about their methods. This isn’t a Hollywood production with million-dollar backing. It’s a self-funded endeavor, with an occasional grant helping along the way. Over the course of the project, other photojournalists have admired the work and wanted to help Chad, offering prints to sell to fund his film. Until Dec. 11, you can buy one of them at A Thousand Little Cuts Online Print Auction. It was Chad’s Facebook post that inspired this blog.

    Some other print sales: Nuru Projects, Friends of Anton, Fraction Magazine, Wall Space, Collect Give.

    Virtual photography
    Does your favorite somebody have an iPad? Or maybe a slick new tablet is waiting for them under the tree? Get them started with some photography apps. Of course there are tried and true publications like National Geographic, but be sure and check out one of our partners, newcomer Once Magazine.

    A crowd-funding stocking stuffer:
    Have you heard of Kickstarter and Emphas.is? They are two crowd-funding web sites that are being utilized by photojournalists to fund their in-depth projects on important topics worldwide. What’s in it for you, Santa’s little helper? You can help make sure important stories are told. Also, by contributing to these campaigns, backers get to participate in the story creation and also receive gifts like prints or books. A journalist featured on msnbc.com last year is currently running a campaign:

    Life without lights: 1.4 billion people – nearly a quarter of humanity lives without access to electricity. Photojournalist Peter DiCampo explores the economic impact of energy poverty and energy’s future.

    Books, of course:
    It goes without saying that photography books are a great gift. One to consider is Iraq|Perspectives by Benjamin Lowy, showing every day scenes from the war in Iraq captured through Humvee windows and night-vision goggles. Check out American Photo Magazine’s Best Photo Books of 2011 for some other options.

    Did you see that shot?
    As always, if you’ve spotted a great image on msnbc.com, you can buy a print from the photographer or agency who originally created the image. See our FAQ for more information…and happy holidays.

    While people in developed nations spent Earth Day focused on issues like conserving energy, over a billion people in the developing world live without electricity. View a case in point: northern Ghana.

    Follow @msnbc_pictures

    6 comments

    We Americans, all of us even those without jobs or a place to live should be humbled by these extremely unfortunate, deprived people. This is a perfect example of how people treat their own and how selfish the human race really is. Here is a question for all you religious fanatics.

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  • 2
    Dec
    2011
    7:12pm, EST

    thephotosociety.org

    An image taken by Ami Vitale in Kashmir, India.

    Photo Society website spotlights National Geographic photographers

    By Rich Shulman

    Most readers of National Geographic probably don't realize that the photographers who produce those stunning images aren't on the magazine's staff; they are freelancers who work under contract for individual stories.

    The Photo Society website features images, blogs and vignettes of what it takes to do this job.

    Photographer Randy Olson addresses the question of how to become a Geographic photographer:

    “It is not easy or glamorous. And this is not where you begin your career. You are competing with world-class documentary photographers and within that genre there are men and women who are the absolute best at their specialty.

    Comment

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  • 12
    Nov
    2011
    8:43pm, EST

    William DeShazer / The Chicago Tribune via 'The Image, Deconstructed'

    One-month-old Loretta Brenzek recovers in her bed following heart surgery in the Pediatric Intensive Care Unit at Rush University Medical Center in Chicago, Ill., on Dec 24, 2010.

    The Image, Deconstructed: Hospital is home for the holidays for some children

    By Katie Cannon, Senior Multimedia Editor

    As the holidays rapidly approach, I was struck by this frame shot by William DeShazer of the Chicago Tribune for a story last Christmas Eve on children who had to spend the holidays in the hospital. As a parent, the thought of having a child in the PICU is awful...even more so if the stay were to fall over Christmas. The picture was posted today on 'The Image, Deconstructed', which examines the mental approach behind photographs and frequently shows how a situation unfolds for a photographer by including frames surrounding the final edit. I find the posts to be great reads for photographers and fans of wonderful photojournalism. To learn more about DeShazer and how Loretta Brenzek is doing now, check out 'The Image, Deconstructed'.

    1 comment

    That baby's expression is so intense!! Wow...the experience and awareness is her eyes sure looks older than her age...wow...intense energy that child has!!

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  • 16
    Sep
    2011
    2:30pm, EDT

    Gravely wounded New York Times photojournalist shoots his first assignment since leaving Walter Reed Hospital

    Joao Silva / New York Timesa via Redux

    First lady Michelle Obama, left to right, Mike Meyer, Dakota Meyer and President Barack Obama after Obama signed the Medal of Honor citation in the Oval Office of the White House in Washington on Sept. 15, 2011. Meyer, a former Marine sergeant, received the award for courageous actions while serving in Afghanistan.

    By Robert Hood

    New York Times photojournalist Joao Silva got the assignment to photograph the meeting between President Obama and former Marine sergeant Dakota Meyer on Thursday at the White House. Meyer was being awarded the Medal of Honor, and Silva had been given special access to the Oval Office to photograph the personal meeting between the President and Meyer’s family.

    At first glance this assignment doesn’t seem difficult, but Silva has unique challenges due to an injury he suffered when he stepped on a landmine in Afghanistan last October. Silva lost both of his legs that day, and he has undergone painful physical therapy and a series of operations since then.

    The New York Times Lens blog has an account of how Silva’s assignment went.

    The first thing he whispered, as the president greeted Mr. Meyer at the Oval Office entrance, was this: “I missed that.”
    Later, he described it all more fully. “I wasn’t getting the shots. I was missing the shots.”
    “And then there is the physical aspect of it,” he said. He added, “Pain. Nonstop, constant pain.” Read more.

    Charles Dharapak / AP

    New York Times photographer Joao Silva, standing at right, prepares to photograph President Barack Obama in the East Room of the White House in Washington, Sept. 15, 2011. Silva was injured by a land mine while on assignment in Afghanistan in October 2010.

    Related PhotoBlog posts

    • Photojournalist Joao Silva, back in action and back on page one
    • NYT publishes account of the wounding of photojournalist Joao Silva
    • Photographer wounded in Afghanistan

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  • 1
    Aug
    2011
    2:06pm, EDT

    'Roll Call' photographer reveals stories of his best images

    Tom Williams is a staff photographer for "Roll Call" in Washington. He reveals the back-story behind some of his award-winning photography.

    Comment

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  • 28
    Jul
    2011
    2:19pm, EDT

    Photojournalist Joao Silva, back in action and back on page one

    By Rich Shulman

    Last October, New York Times photojournalist Joao Silva stepped on a land mine while covering the war in Afghanistan. PhotoBlog posts here and here documented the event. Silva lost both legs, and was taken to Walter Reed Army Medical Center for treatment.

    Silva started walking on his prosthetic legs in February.

    Yesterday, he covered the closing ceremonies at Walter Reed for the paper; his photo, below, was featured on today's front page.

    The New York Times Lens blog reported this heartwarming story.

    Joao Silva for The New York Times

    Soldiers and guests watch a parachute demonstration by the Golden Knights after the Casing of the Colors ceremony at the Walter Reed Army Medical Center. The Army held a closing ceremony Wednesday, as authorities prepared to move hundreds of patients and vast amounts of equipment to new and refurbished facilities in Maryland and Virginia.


    Jerome Delay / AP

    In this Feb. 2009 photo New York Times photographer Joao Silva is seen while on assignment in Madagascar. Silva was seriously wounded when stepping on a mine while covering US troops in southern Afghanistan it was reported Saturday Oct 23 2010. Silva was evacuated to Kandahar Air Field where he was receiving treatment, the newspaper said in a statement. Silva, who has received several awards for his work, has photographed wars in Afghanistan, Iraq, southern Africa, the Balkans and the Middle East. He is the author, with Greg Marinovich, of "The Bang-Bang Club," a chronicle of a group of four photographers covering the violence in South Africa in the 1990s.

    Comment

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Jonathan Woods

Jonathan Woods worked for msnbc.com for three years, ending in 2012. For six years prior he worked as a photojournalist and multimedia producer for four newspapers across the U.S., including the Rocky Mountain News in Denver. Woods earned his B.A. in photojournalism from Western Kentucky University. He is now working for TIME Magazine, leading a team of picture editors online for TIME.com.

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John Makely

is a Senior Multimedia Producer for NBCNews.com in New York.

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Meredith Birkett

Meredith Birkett is a senior multimedia editor for special projects at MSNBC.com. In this role, Meredith works with freelancers, picture agencies, and staff multimedia journalists to produce multimedia projects across all sections of MSNBC.com.

Rich Shulman

is a multimedia editor at msnbc.com. Before that, he was a picture editor at Corbis and the Director of Photography at the Everett, Wa. Herald.

Rich Shulman Blogroll

  • NPPA
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  • The Digital Journalist
  • Sportsshooter
  • Rob Galbraith

Katie Cannon

is a Senior Multimedia Editor and has worked at msnbc.com since 1996.

Robert Hood

is a Supervising Producer, and he has worked at msnbc.com since 1996. Before coming to msnbc.com he was an instructor in the University of Missouri - Columbia Photojournalism program, and a newspaper photographer in Wyoming and Utah. He has also freelanced for The New York Times & The LA Times.

Robert Hood Blogroll

  • PhotoBlog
  • NYT: Lens
  • Multimediashooter
  • Strobist
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Archives

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Most Commented

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